Layers are among the fundamental features in Photoshop which aid editing. Superficially, they're simple, but the feature set goes deep. Photoshop features a number of kinds of layers. This is what we'll explore here.

Blend Modes are used like paints being mixed. You have your base colour which you blend to obtain your blended result.

Adjustment Layers give instructions to layers below to do something like change colour, increase contrast, invert colours and much, much more. They're central to a non-destructive colour adjustment workflow.

In Photoshop, a composite is a collage of multiple photos and graphics with a theme. The focus of this assignment is to build one of these compositions in the most non-destructive, editable way possible.

The all-mighty tab character can do wonders in InDesign. We'll explore setting indented text and building grids with tabs and indents, too.

Whether they are bulleted or numbered, InDesign is very adept at creating lists. There are very granular, flexible controls to create the lists that fit your design.

In this assignment, we'll look at the foundations of building an InDesign document from scratch. We'll set up the document to for maximum flexibility when doing revisions. This is really how every InDesign document you make should be built.

Adobe have designed a wonderful workflow for getting a sketch off paper into vectors in Illustrator. You can even create multiple colour versions in a matter of seconds. Let's give it a go.

Your job is to draw your own image, scan it, then use Image Trace to vectorize it. Once it's vectors, use Live Paint and Edit Colours to create a total of three different colour variations.

Boring graphs can really put the kibosh on a great design. As a designer, one of the most difficult and rewarding jobs is to transform boring data into exciting, engaging visuals. The challenge is to present so many numbers in a compelling way.

Create, edit and apply gradients to strokes and fills in Adobe Illustrator.

The Appearance Panel contains each element of a graphic, including strokes, fills, effects and more. It should be on your screen at all times. Use it for all your stylin'.

Today, we'll build this layout in InDesign using all the software skills you've learned to date. We'll take it through to production, preparing all the files for press.